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Literature Text
I saw him playing cello on the roof-tops
of old desires and I instantly
wanted to know
more.
I wanted to know more about this lingering
song of inverted empathy and I wanted
to feel the tension between his strings.
I wanted
the grit and the grain of bow hair
and friction
to be the taste on my tongue because I knew
that these things were the only bridges
that could reach over
his high walls.
And still, when I could not have
these material things
I climbed,
using innuendos disguised as intentions
as my stepping stools.
I thought that maybe a beautiful mind like his
could learn from a heart like mine.
I thought that maybe
I could take his calloused hands
and teach him how to play a song
about love.
I thought that he could learn something
that the experts never picked up,
something only an amateur could know.
I doubted myself
because I did not have a real wooden body of my own,
no means to create physical music,
but I still grinned when I finally reached him.
His song still filled my lungs,
even though he had stopped playing.
I was here. The only instrument I had
were invisible heart strings
and he was there with a humor in his jaw
and a twitch in his neck.
Perhaps now, we were just two men
sitting atop a roof
with an old wise cello
nothing but classical music
and sweat filling the space between
our fingers.
but this did not mean that either of us had
to be a soloist.
Together,
in the grounds and hollows of our bones and spirits
all we really were was one
cello-ist.
of old desires and I instantly
wanted to know
more.
I wanted to know more about this lingering
song of inverted empathy and I wanted
to feel the tension between his strings.
I wanted
the grit and the grain of bow hair
and friction
to be the taste on my tongue because I knew
that these things were the only bridges
that could reach over
his high walls.
And still, when I could not have
these material things
I climbed,
using innuendos disguised as intentions
as my stepping stools.
I thought that maybe a beautiful mind like his
could learn from a heart like mine.
I thought that maybe
I could take his calloused hands
and teach him how to play a song
about love.
I thought that he could learn something
that the experts never picked up,
something only an amateur could know.
I doubted myself
because I did not have a real wooden body of my own,
no means to create physical music,
but I still grinned when I finally reached him.
His song still filled my lungs,
even though he had stopped playing.
I was here. The only instrument I had
were invisible heart strings
and he was there with a humor in his jaw
and a twitch in his neck.
Perhaps now, we were just two men
sitting atop a roof
with an old wise cello
nothing but classical music
and sweat filling the space between
our fingers.
but this did not mean that either of us had
to be a soloist.
Together,
in the grounds and hollows of our bones and spirits
all we really were was one
cello-ist.
Literature
L over
Time passes and I still end up saying your name, when I told myself I wouldn’t let it slip out of my lips.
Memories are still clear as ever, painfully so, although they’re starting to merge into one colossal dream that managed to become a nightmare in a matter of seconds.
I wonder if you wonder, the way I wonder.
I wonder if this is just a writers mind.
Lost, confused, scared, hurt, sad, lament, pain, excuses, replaying, broken, worthless.
–– These are just some of the words that come to mind, when I think of our final chapter. They taste rancid in my mouth, and I spit them out on days I remember our story.
Your f
Literature
Storm Ravaged Hope
Petals are a scatter
Across rain torn grass,
Vines caressing leaves
Fallen from bare trees
To the right, the garden
Holds a scene of crush -
Remains of rose petals
Create a scene of red
Shimmering beneath
Lightning strikes
One blood red petal fallen
For every death occurred
In this unknown village
But there in the midst
Lies a rose of black,
Drenched in sorrow
From its very tip
To the loose roots
Remained in the soil
A few darkened petals
To remember our losses,
But a living death
Meant for true hope
Literature
he saved me
, but he killed me.
_
i. first light- i met you in a crimson forest.
it was a rose garden summer, and out of a black mercedes
you walked out, your five year old eyes greener than
sunlit saplings
you reached up to pluck a rose from its stem, and offered it to me.
"what's your name?"
daddy told me that i couldn't tell strangers my real name.
I looked at the rose in my hand.
"Rose."
you smiled, you were a seastorm of now long-gone innocence.
i didn't understand
but I knew.
ii. i forgot about you for
1562 days, 11 hours, and 22 minutes,
you shouted
my name, but i didn't recognize you
until i saw your
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I hate the word Cellist. Violinist, Violist, and Bassist all allow just about the full spelling of the instrument. The word Cellist is cut off and it sounds like jealousy. The cello is not a jealous instrument, rather it is quite generous. Thus I use "Cello-ist" to characterize its round and robustness. Plus, I'm a poet. I'm allowed to do whatever I want with words.
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did the piece flow well?
what are your thoughts on the theme?
was the word choice good?
© 2013 - 2024 TheStoyTeller
Comments7
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I like the description in this poem - very nice I also like your reasoning for adding the 'o' back into cellist - although the cellist in me finds it really really annoying x3 I won't ask you to change it though, because it has a nice point behind it - so well done, this poem turned out nice! Although perhaps you should switch 'classical music' to 'romantic music', if s/he's teaching him a love song :3 then you can be more exact by bringing the eras in
There are a few other phrases that bother me - 'stepping stools', I dunno if you're referring to the stools/seats a cellist sits on, but it sounds like it should be stepping stones. Was the change intentional? Also, 'physical music' - perhaps that would be better changed to something like actual, since you can't really touch sound. Tangible could work, although it still implies touching - tangible to the ears, maybe?
Finally, 'the only instrument I had was invisible heart strings' - strings do not an instrument make - there needs to be something to amplify the sound as well. So maybe drop the strings and just leave it at heart - or hell 'the cavity in my chest'
other than that, I really like this. Don't often see someone giving the humble cello attention
There are a few other phrases that bother me - 'stepping stools', I dunno if you're referring to the stools/seats a cellist sits on, but it sounds like it should be stepping stones. Was the change intentional? Also, 'physical music' - perhaps that would be better changed to something like actual, since you can't really touch sound. Tangible could work, although it still implies touching - tangible to the ears, maybe?
Finally, 'the only instrument I had was invisible heart strings' - strings do not an instrument make - there needs to be something to amplify the sound as well. So maybe drop the strings and just leave it at heart - or hell 'the cavity in my chest'
other than that, I really like this. Don't often see someone giving the humble cello attention